On Ravens Wing

It is Samhain and the moon is full. Samhain and the moon is full and the thinness of the veil is present all around me. This is the beginning of the darkness, the Celtic new year, the time of connection to those gone before, to our old ones and to the fertile, sacred stillness. A magic time to turn within and sense into meaning and rhythm, to ask the questions of our deep selves that have been perhaps hidden in plain sight, the ones we are afraid to ask.

 For me this is a time of dying. My old life and ways composting before my eyes. My ability to force myself into the rigor of the do, do, do of this culture falling away. I am no longer able to coerce  myself, to occupy the roles I have held, thinking they were my own and now seeing as constructs inherited from an unwell society and the unhealed parts of my family lineage and a traumatized ancestry.

And I am tending the dying this Samhain. My Auntie and Cousin and myself have been deep in it. 7 days now at the bedside of my dearest Uncle, who is walking the liminal line, the space between life and death. He has been without food nine days and without water for seven, and still he breaths, and his heart beats and we sit vigil, we sing, we eat, we talk and cry and laugh. Three women together tending this edge time, we are midwives, weavers, spell makers. The working is thick and deep, alive with potent power and grace.

There is a perfectness to it, a gentleness as well and I am blown open by the love that is present in these walls. These walls made of the clay of this land, thick and strong. Strong enough to hold us up and hold us in as we dance in this space of timeless beauty, of great grief, of tender tending.

There is nothing required, nothing to be done. We are called simply to love and be true and be in presence with each other. Three of us living and one of us living, but also dying. The knowing of his ending is thick around us, it hangs like a cloak on our shoulders. His still breathing body shines with the brightness of the eternal and it seems impossible that soon, he will breath his last. Soon he will leave us in this form, soon it will be three, not four under the shelter of this strong roof and walls.

I find that when I am in the heart of life, as I am now. In the heart of life as I do this dance with death, my words come easily. Poems flow forth, and I have spent some of each day with pen to paper, making sense of life and death through the rhythm and feeling of the pen on the page, and the words the tumble out, I a scribe for whatever it is that moves through me.

I received and image the other morning as I was sitting by my Uncle, of his body thinning out, becoming many, rather than one. As if he was layered somehow, growing more expansive and ethereal, more a galaxy than a star. As I witnessed this I saw also a Raven come, resting on the back of his body, his spine alight with life force energy, connected to the cosmos. The raven bent her head and began to pick at his spine, the base of the spine, somehow unbuttoning or unbraiding him from the corporeal realm, one by one releasing the tethers to his body and his life. This poem arose from that image.

You do not look like I remembered
though we have met before – you and I
oh walker of the edge place – you one we call death.

Your wings are black- not back of night
but black of dawn
Black of ebony raven plume
black of your beloveds pupil – shrinking and growing
with the closeness of your love.

You dark bird who hovers
unseen until the end and then appearing  
vast on the horizon – vast above the bed frame
unstitching the woven spine of life
with your great black beak.

Morrigan – lady of endings
mistress of raven
one day you shall feast on my flesh as well.

You circle low above us now
so close I can see your breast
so close I can see the underside of your beak
and the bottom of you scaly feet.

When will you land and sink your talons in
claiming this life as your own?
the breath keeps breathing -but softer now
fly low- fly low
we will not chase you away.



The Woman Who Weeps

I wake in the morning and pray for gratitude. In the darkness alone I feel only sorrow, even the birds songs, delicate and joyful, pierce me with their nearness, and the delicate nature of their singers, who hang now by a thread, species collapsing each day, the losses staggering. I can barely breath. I wake in the morning and the birds sing, and I weep.

Could my tears be a libation? An offering to the earth and her many children, an offering to my own broken heart, and to yours? I offer them as such, I of many tears, a woman who weeps, my lamentation pours forth in this time of trouble. I am witness and I will not look away. I hold a steady gaze through my tears.

How can a heart hold it all? This world we walk is so out of balance. Every which way lies a new disaster, a new ending, a new possible apocalypse. I try to remember the world never ends, she only begins again and again. I try to remember the transient nature of being, no-thing ever stays the same. I try to remember that the world has already ended for so many people, all across time. It ended for someone today, I am sure of it. How could it not? All over the world, individual and collective endings, sometimes it feels like it is all about to collapse. I try to remember to just take the next breath.

My name is Marianna. Mary from the Hebrew Miriam meaning something akin to, sea of sorrow, sea of bitterness. Or in some interpretations, longed for child. And Anna, from the Hebrew Hanna, meaning graceful one, of full of grace.  I am the bitter grace of the sea. I am the sea of sorrow. I cry salt tears for the whole world. As it all burns around me all I have left to offer is my mournful grace, my heart of sorrow.

Do not discount the power of weeping. It is said in some religions that the power of prayer is more potent when tears are shed. The sincerity of heart and the humbleness of weeping makes the Gods take notice, turn an ear to us.  The earth needs my tears, needs our tears, hell, you, reading this now may need my tears. I weep for you, wherever you are and whatever sorrow is lodged in your heart. In the words of the great Bob Dylan, “go on and give it me, I’ll keep it with mine.”  I will, I’ll keep it next to mine. Your sorrow nesting in my heart will cause no harm, the cult of happiness failed us long ago anyway and I walked away. Tears streaming down my face and my hair flying wild as a banshee.

I wake in the morning and the birds still sing, they seem to be saying “just do” – “just do”
And so I do, do. I climb out of bed and turn my face to the sky. I remember that I am a living emissary of my family line, and even if I can’t see the purpose, I have to show up for duty. I remember that my heart, broken as it may be is also broken open, and that means it is fertile ground for something beautiful to grow again. I wake in the morning and the birds sing, and I weep. And then I go to work. In the seeming impossibility of continuing this life as I know it, I go on, and the birds sing me to my car. I think ” I do not know if birds can cry, but am so grateful that I can.”
So the gratitude I prayed for in the dawn arrives, gratitude for the tears, my gift to life, my offering of one heart, broken open to the divine.

Mary_Magdalene_Crying_Statue