The Dark Heart of Winter

Winter is here and the wide world grows smaller as I huddle into the safe sanctuary of my sweet home, my little nest. Here I live in a round ruby-colored haven, a jewel set in a meadow of green.  Winter has not yet ensconced us in terminal grey, warmer days than usual and even sun have greeted us. The tall trees that stand around my home are reaching upward. As I sit, right outside my window, hemlock is waving her soft fringed branches in the breeze, sunlight pouring down on her.

The sun is setting at 4:30, and I am indoors so much more this time of year. There’s a sweetness to this, life feels very small and contained. Not in a rigid way, but in a way of gentleness, of tending hearth and home. Both on the physical plane, and on the inner plane, the realm of soul. This is a time of turning inward, looking into the dark places inside myself, making peace, and making space for new blossoming to come when the time is right.

I’m acutely aware of how busy my life is, how often I am pushing and striving, how I fill my time with social visits, work, even the garden which takes so much care. Seems I always have something I “must do.” I’m choosing to set that down for a while, choosing to get still, and small, and quiet. My perception of the demands of the world will always be there, there will always be something I must do, and I am the only one who can relieve myself of that burden. And I’m not saying that’s an easy thing! These patterns are so ingrained that creating pockets of stillness feels challenging, creates unease in my belly, and I even feel fear arise.

I look back over the years of my adulthood and I think I’ve missed many opportunities to take winter deeply in. This time of year gives us a chance to slow down, but we have to be willing to take that chance, to set things down, to choose to embrace the fertile darkness and the inner time. I know this, and I feel it to be so true, but I tend to get stuck filling long dark evenings with television or scrolling on the Internet. But there is an opportunity here to deepen into my own heart, to make beauty with my hands, and to have more time where I’m doing absolutely nothing. But I have to choose this. I have to be the one to put down the remote, or maybe even unplug the television for a while. To bridge the moments of uncomfortable stillness and trust this intuition that stillness and quiet are so necessary.

Just now there are two towhees on the ground outside my window, their tails held high, they bow and dip, digging in the earth for some delightful morsel to eat, they lift their heads and look about,. make contact with their companion and go about their work. How right they are in the world, how totally themselves. How would it feel to have freedom like that? Freedom to eat, fly, and nest, but most of all freedom from the tyranny of the mind that tells me I always have something I must do. How can I break that cycle, and find deep peace and ease in my bones? A recalibration in my nervous system towards stillness? A true setting down of the puritanical work ethic that seems to thrum inside of me all the time pushing me ever forward or chastising me if I refuse to be pushed…. Damned if I do, damned if I don’t.

As usual, I don’t have any solid answers, just more questions and more questions. Yet I do have a sense, a glimmering of possibility, a knowing that it could be another way. And I’m going to choose that, even if it’s unformed and not quite tangible yet. Even if it makes me uncomfortable as hell. Even if I forget, and fall off course, and beat myself up for it. I’m still going to try, I’m going to follow the thread of longing, for still and quiet dark winter nights.

The Christmas tree lights sparkle, I sit and look at this beautiful altar to the Christmas spirit and to light returning. I sip my tea and feel grateful for the safety of my home. The containment of my small world that feels so gentle. My tea is hot and creamy, spicy Chai with just a touch of sweetness. My body is cozy, wrapped in layers and warm slippers. Mac the cat sleeps on the cushion of the chair beside me, pouring out a sense of radiant contentment at the comfort of his body, nestled just so in the softness of the cushion.

It’s all so beautiful, this small and quiet life of mine. So far from the hustle and bustle, the fray of the years of active parenting. Now I only have myself to get ready for the day, and the evenings are luxuriously long. A fact both startling in its beauty, and arresting in fear. What do I do with my wild and precious life when I I’m the one who must make it what I long for it to be? Sovereignty, so beautiful and so terrifying.

For this day, for this season I am going to choose to let myself not know. I am going to choose to be in the liminal space between things. I am not young and I am not old. I am not rich and I am not poor. I am not certain and I am not lost. I am, slowly, so slowly, arriving. Arriving into what? I couldn’t tell you… But something is unfolding inside of me that is mysterious and magnificent. This life that I am weaving, I can’t quite see the warp and the weft forming together into tapestry yet, yet I sense and know that tapestry it will become if I stay the course. Maybe that’s what this winter is about. Maybe this is a winter of weaving, of pattern making, of allowing the colors of the thread to choose me rather than me choosing them. I trust the pattern. I trust the slow growing of cloth. I trust myself. And I trust the darkness.

Leaves – A Love Song

The trees astound me with their generosity. They hold nothing back. Each year the cycle begins again, the gathering of sunlight, the storing of energy, carbon, the creation of new leaves. Leaves that emerge baby soft and fine, pale yellow, light green, chartreuse. Leaves so tender they look like blossoms. Putting on bulk and weight, spreading out over the tops of canopies, glorious crowns, snarled reaching branches, forming the lush foliage of summer’s blessed shade.

Autumn comes and the slow surrender begins, the letting go. Leaves lose their luster, the edges beginning to dry, spots of brown or gold mottling their surface. Some change to brown, light and crisp; they float on the air, piling up in mounds, drifts, oceans. Some blaze bright before they fall, gold and red, orange and amber, and every shade in between. Death can be beautiful too. This I learned first from leaves, and then from old people.

The trees seem to surrender their leaves so easily, they must trust that next year the cycle will begin again, they must know that as long as they are standing tall on this earth life will move in them, and through them, creating the magical rhythm of leafing out, spreading wide, and falling to the earth again. What if we had trust like that? Trust in our cycles, in the turning of time, in the rightness of it all. What if we knew our place in the web, could we surrender as completely as trees?

I walk among the leaves, and I bend to pick them up with delight. To look at their shape, the pattern the veins make across their surface, to feel the firmness of a leaf stem clasped between my fingers and thumb, I roll them back and forth admiring how the colors shift in the light. I will never grow tired of autumn leaves, the wonder of this generous beauty will always leave my heart humbled, gratitude echoing around the chamber inside my chest, a whisper of thank you on my lips.

I remember when I was small, and we lived in the city where streets had sidewalks, and many of them were planted with trees. I knew those sidewalks so well, I knew where every tree root pushed up against the surface of the pavement to create a crack, and I would roll over those cracks on my scooter, or my bike using it like a little jump of sorts, some novelty in my ride.

I remember walking in the autumn with my mother, and her teaching me the French words for the colors of the rainbow. Jaune is yellow. Yellow like the leaf fallen from a big leaf Maple, on the grey sidewalk, before it’s been crushed under foot. Yellow leaves lying perfect in their form, utterly beautiful.  I kicked them with my boots, my small feet loving the sound of the crunch crunch as I walked through piles of leaves.

I knew a marvelous old woman once, Ruth. Who lived in the retirement home where I worked. She was that perfect combination of spicy and sweet, a woman who loved deeply, and would also take you down a peg if you needed it, or maybe, if she was just in the mood to do so. She was legally blind but could somehow always tell if I’d gained a pound, and would not hesitate to tell me “ you are so beautiful, but honey you need to watch your weight.” I know you probably cringe reading these words, but I smile in fond remembrance. Those words truly were spoken with love.

I remember sitting with Ruth on an autumn day and speaking of the leaves. The beauty of autumn in Oregon, the way the sky sparkled blue, and there was a nip in the air, and the lovely scent of summer ending. The earth getting ready for a long winter sleep. A soft dreaminess came over Ruth’s face, and 100 watt smile emerged, drawing back the corners of her mouth creasing the corners of her eyes, the wrinkled cartography of her face transforming as she traveled in her mind. “You know I used to love to kick the leaves on the street, I can still hear how they would crunch crunch under my feet… I can’t walk anymore, but I remember.”

When I am old and grey, and sitting in a window. Will I still remember the look of the leaves on the sidewalk, the sound of the crunch crunch, the pleasure of walking hand in hand with my mother? Will I remember the generosity of trees? The thousand ways they’ve blessed my life, the hours spent sitting nestled in their roots, the days spent hiking looking up at their towering trunks and canopies… I think I will.  And if I’m fortunate, I’ll have someone to tell about it.

Could I be like maple?
Standing tall, always reaching for the light.
Roots sinking down through dark, rich soil, winding around stones and broken pipes
to find the wellspring of life.
The living water.
Could I burn brightly?
My leaves shimmering in an exaltation of gold and red and scarlet, vermilion, even lavender.
A cacophony of color, unbridled life that gives way into death.
Leaves falling from maples high branches litter the ground in a carpet of glory.
I walk on them, my boots feel too brown to trod on such a delight as this.
In a months’ time, these glorious tailings, falling from maples branches
 will turn to brown and then to soil.
Feeding her roots and preparing to once again set leaves come springtime.
Oh, how much I learn from the trees.
Their constant and ever-present generosity, their willingness to rise again, and fall again
and rise again, and fall.
Do they grieve their leaves as they drop towards the Earth, or is it pure surrender, the letting go of what must be done in order for something new to emerge, to sprout, to rise upward
Carbons knitting together, to create the pattern of life, everybody is reaching for the sun. Everybody is reaching for the water.
And this is life, the somersault of beginning, and ending, the way form gives way to absence and then form again, and I too am part of this.
I too, in my woman’s body one day will become dust and then perhaps, I will become maple.

Seasons Turning – Autumn Comes

Today is the autumn equinox in the northern hemisphere. We arrive again at the threshold, crafted by seasons and time, the changing of the sun, the tide ebbs. I’ve been feeling the change since the middle of August, the sun hanging lower in the sky, a little bit of chill in the air at night, dry grasses giving the land that tawny autumnal glow. It’s a bittersweet time, in some ways I’m always ready for the seasons to change, to step into something new, to recenter. And yet its hard to let summer go.

 Summer is a season of incredible energetic outpouring, working on the land, outdoor adventures, later nights and less sleep. Summer feels full of fervor and exuberance, and I truly love it. This whole span of time from late spring until the end of harvest season I am out on the land so much. Hands in the soil, feet in the soil, body in the river, hair soaked with sweat. I’m watching the seeds go into the ground and whispering prayers over them, I’m watching the little shoots sprout up and begin their cycle of life, watching them put on leaves and fruit, harvesting and eating and preserving. I love it, and I am exhausted.

And now autumn calls, with her soup pots bubbling and long walks with falling leaves. With quiet evenings at home, hot tea in my favorite mug, dreams of art supplies littering my little table, and driving home in the dark again. It seems to me that each year I get older the seasons grow sweeter, and I feel the changes more acutely, both in the earth around me and inside of my own body. The earth within me. It feels good to let things change, it feels good to surrender to the cycle of the year, the wheel of time, and the ever changing present. As if we had any choice! And yet, to see the pleasure of this seasonal arc, and feel held within it, is somehow so tender for me.

I think part of that is because there’s a way that I’m able to pay attention to life that is exquisite to me, and it hasn’t always been this way. So many years were spent in anxious survival. Being a young mother, and then in an absolute disaster of a marriage, never really making enough money, throw a little bit of addiction into the mix, and you can imagine from there…  It hasn’t been an easy ride. which makes me all the more grateful for the simple beauty in which I sit in my days now.

I can’t claim luxury, I have such a simple life. But it’s beautiful, and it’s handmade and crafted by me to suit my needs and my desires. I get to be present in my life, to be free of the chronic and painful tensions I lived with for so long. I get to craft my days so that I have time to be with the earth and the sky, time for writing, time to notice the changing seasons, to grow food and eat good food, to gather herbs and make medicine, to spend hours in the evening reading poetry, or lying on the floor of my beautiful little home with my cat purring at my side. It’s all so simple, and I’m simply so grateful.

In this time of seasons changing, this time of surrender, of looking within as the autumn calls us to do, I’m thinking about what skins need to shed. About what I’m ready to set down. About what I’m releasing and who I’m becoming. It doesn’t all feel clear yet, and that’s completely OK with me. Answers come when answers come, and the inquiry is really the interesting part of the journey anyway.

Over the summer months, there’s been a lot of inner work happening around some wounds that I have carried and the ways they manifest in the world. I’ve become aware of this cloak of fear that I’ve lived with throughout all of my conscious life. The fear of somehow not being enough, not belonging, being too much, being exiled. This undercurrent of fear has caused me to shape-shift and morph myself into a way of being that I perceive to be more pleasant to others. This is one of the big endings that I’ve been undertaking. The ending of the story that I need to be anything different than I am.

I’ve been growing braver, I’ve been speaking my mind more, expressing how I truly feel, even when it scares the shit out of me, I’ve been asking for more money, learning not to say yes when I want to say no, and figuring out how to truly listen to the signals of my body so that I can make choices that are in alignment with my true needs. It’s been subtle, my life looks much the same as it did in May, but my experience of being in it is really quite different. There’s a fierceness in me that I didn’t know before. There’s a resoluteness, something inside of me isn’t standing up. Broad-shouldered, strong-eyed, Free of the giggling simpering of girlhood. I think I’m truly becoming a woman. Which, at 42, you may think about time… But I would argue that many adults never really leave the stage of late adolescence. So I’ll take it. I’ll take this broad-shouldered, broad-smiled, strong spine, soft-bellied, wide open-hearted woman, I’m becoming.

So the seasons turn, and we turn with them. And as autumn arrives I take this opportunity to turn inside. I take this opportunity to close the hatches a bit, to lay off the throttle, to sit back into the sweetness of my life, and the unknown unfolding of my becoming. Before long rain will start to drip down my windows, and the tawny grasses will grow green again. And then, I’ll be dreaming of planting seeds in the soil and pea shoots and early blooms. But for now, just for now, I’m going to get still. I’m going to sit in the beauty of the simple life that I have created. I’m going to look into my own heart and see what’s ready to be set down. Emptying out the oil to make space for the new. Some interior sorting I suppose you could say. Sounds like a good thing to do as the days grow shorter.  I’m going to leave you with some beautiful words from David Whyte, this line hums in my heart so often…autumn blessings to you all.

“You must learn one thing.
The world was meant to be free in. “

Sweet Darkness
by David Whyte

When your eyes are tired
the world is tired also.

When your vision has gone,
no part of the world can find you.

Time to go into the dark
where the night has eyes
to recognize its own.

There you can be sure
you are not beyond love.

The dark will be your home
tonight.

The night will give you a horizon
further than you can see.

You must learn one thing.
The world was made to be free in.

Give up all the other worlds
except the one to which you belong.

Sometimes it takes darkness and the sweet
confinement of your aloneness
to learn

anything or anyone
that does not bring you alive

is too small for you.


Seed Heart

Every day this world breaks me open, a sliver of delight pierces through the veil, a chasm of sorrow consumes me, and I fall, down, down, down. The glint of light on the throat of a Hummingbird, part fuchsia part crimson all glorious. A hungry feral cat cowers near the trash compactor at my daughter’s apartment complex, their green eyes haunt me, and I am filled with longing.

I often wonder if my capacity for feeling, so visceral, so rich in texture and form, is the same experience of being in the world that others have. In truth, I wonder if perhaps I hurt more than I should, feel more than I should, yet even as I write those words deep inside there is a knowing, that I am how I am and who I am not by accident, that even if the intensity of life unfolding around me can be hard to bear at times, it is my unfolding, it is my life.

Sometimes I want to hide, to crawl down deep somewhere that I cannot be disturbed, somewhere safe and dark and devoid of feeling. A bottle used to work so well, the safest place I’ve ever been, but also the most lonely. So I don’t pick it up. Today I sit in the grey cave of my heart, under a startling blue sky. Can you feel the contrast? The is and is not of the thing? How can life be simultaneously so beautiful and so heartbreaking?

I come home from work, the frantic pace of the day, the large tears of the old woman in the hallway, they seem to be always running down her face these days, and I never have enough grace to reach her, the hungry eyes of lonely people, the traffic accident I witnessed, all of this living in my body. I kneel down at my altar, light a candle, and beg for strength. I place my forehead on the sharp wooden edge, the pressure digging into my skin feels like  relief, and I weep. I weep for all the hurts I cannot heal, the suffering that exists despite all of the love, my own broken family, my own broken heart.

And then I remember what I have known all along. Words spoken to me, words that found a home inside my flesh and now reside there- a human heart, shaped like a seed and meant to break- let it break- break open….recalling this, a poem comes back to me, my own words filling the cracks and broken places inside, my own words a balm, a poultice for this wound of life, this wild sacred dance that is more than I can bear. Perhaps these words will enter you, and ease your pain, or bring to your doorstep an appropriate portion of suffering, whatever it is you need, may you find it. I leave this here, an offering for all those who know the taste of sorrow, and the taste of joy.

Seed Heart

I know the bottom well
the dark place where the tendrils grow from
nothing is birthed only from the light after all
I have curled my body in the shape of a seed and been fallow
no movement- no song – no seeing
spent winter there in that formless torpor
waiting for the urge to root down
and to rise up

I am woman, but I have a heart
shaped like I seed and meant to break
I seek refuge in the smell of humus
the leaflitter, the dappled almost day
slowly warming, slowly warming
set the tap root
 deep- deep
then the branch roots
wide – wide

The only way to know rising is to wait
hold patience like a wand in your hands- until
called forth by forces beyond words
A shoot emerges from the fertile dark
and you breathe air once again.

When people ask me if I believe in god- I always say yes
god is the power that calls the flowers up to bloom
but maybe I have been wrong
maybe god is the seed or the darkness or the waiting
maybe god is the patience
or maybe the breaking
or maybe, my own seed shaped heart.



She of the Snake

We are one in this spiral dance ….image from a sight at Mesa Verde

This is a poem that birthed itself. The words beginning to spill from me, catching me off guard, without pen in hand. i’m beginning to be able to recognize this sensation more quickly, and quite literally run to get a writing instrument if there is not one in reach. Mary Oliver said that a writer should never be without a small pad of paper and a pen, I haven’t quite learned this lesson yet.

Snake has been growing in me for sometime now. I have never been afraid of snakes, in fact I’m enchanted by them, The cool smoothness of their bellies, their direct eye contact, the flick of a forked tongue tasting air, so beautiful to me. Yet this thing snake and I have going on, is really tied to the divine mother. Since I began in earnest last year reclaiming my relationship with Mary, now in a garment untied to any religion, and since finding a deep love of praying the rosary, snake has decided to show up in a big way.

Mary is often pictured with her foot upon the snake, some folks have said that she was squashing out evil, casting out the serpent, the temptress, the snake in the garden. I don’t believe this to be true. Yes, Mary has her foot resting on the snakes back, but perhaps more as a sign, A signature mark of her affiliation with the wild and wise serpent ones. Back and back through Time the snake has been a symbol of the goddess. And Mary is, with no doubt in my mind, a manifestation of the goddess. Not only is she the mother of God, she is God the mother. The fruit of her womb is life, and life is sacred. She rests her foot upon the snake with tenderness, and kind regard, a shared lineage of women and serpent, an ancient contract, steeped in magic and mystery.

When I was recently in the desert I was hoping so much to be visited by snake, I spoke aloud calling her, I drew her, as pictured here, courting her with my pen and my tongue. But she did not appear in her corporeal form, only in this poem, dropped into my heart whole and complete. Notice, I did not say that she did not arrive. Indeed she did arrive, hearing my calls and coming to me, gifting me with her presence through my own words. Sly like a snake she is…

What could it be that I have to learn from a snake? There is something about waiting, about not being too hot blooded, about taking the moment of opportunity when it arrives, without hesitation. Snap! Her jaws clamp shut, she does not wait for the perfect, precious moment, she needs to eat now. And all of life is death too. As I fall deeper into the practice of seeing nature as a mirror for my inner world, there is so much to be contemplated, and the thoughts that come into my mind and heart, the creatures I see with my eyes, the way I move through the wind and the rain, all become gifts meant entirely for me. I know how much I do not know, and how much I am willing to unlearn to be open to learning anew.

Blessed are we, creatures living on this earth and under the sun to be gifted teachers, teachers that come in all forms. Today I am giving thanks for snake, and all of her relations, and the gentle wisdom I am learning through contemplation of their ways.

Journal sketch to honor snake

On Ravens Wing

It is Samhain and the moon is full. Samhain and the moon is full and the thinness of the veil is present all around me. This is the beginning of the darkness, the Celtic new year, the time of connection to those gone before, to our old ones and to the fertile, sacred stillness. A magic time to turn within and sense into meaning and rhythm, to ask the questions of our deep selves that have been perhaps hidden in plain sight, the ones we are afraid to ask.

 For me this is a time of dying. My old life and ways composting before my eyes. My ability to force myself into the rigor of the do, do, do of this culture falling away. I am no longer able to coerce  myself, to occupy the roles I have held, thinking they were my own and now seeing as constructs inherited from an unwell society and the unhealed parts of my family lineage and a traumatized ancestry.

And I am tending the dying this Samhain. My Auntie and Cousin and myself have been deep in it. 7 days now at the bedside of my dearest Uncle, who is walking the liminal line, the space between life and death. He has been without food nine days and without water for seven, and still he breaths, and his heart beats and we sit vigil, we sing, we eat, we talk and cry and laugh. Three women together tending this edge time, we are midwives, weavers, spell makers. The working is thick and deep, alive with potent power and grace.

There is a perfectness to it, a gentleness as well and I am blown open by the love that is present in these walls. These walls made of the clay of this land, thick and strong. Strong enough to hold us up and hold us in as we dance in this space of timeless beauty, of great grief, of tender tending.

There is nothing required, nothing to be done. We are called simply to love and be true and be in presence with each other. Three of us living and one of us living, but also dying. The knowing of his ending is thick around us, it hangs like a cloak on our shoulders. His still breathing body shines with the brightness of the eternal and it seems impossible that soon, he will breath his last. Soon he will leave us in this form, soon it will be three, not four under the shelter of this strong roof and walls.

I find that when I am in the heart of life, as I am now. In the heart of life as I do this dance with death, my words come easily. Poems flow forth, and I have spent some of each day with pen to paper, making sense of life and death through the rhythm and feeling of the pen on the page, and the words the tumble out, I a scribe for whatever it is that moves through me.

I received and image the other morning as I was sitting by my Uncle, of his body thinning out, becoming many, rather than one. As if he was layered somehow, growing more expansive and ethereal, more a galaxy than a star. As I witnessed this I saw also a Raven come, resting on the back of his body, his spine alight with life force energy, connected to the cosmos. The raven bent her head and began to pick at his spine, the base of the spine, somehow unbuttoning or unbraiding him from the corporeal realm, one by one releasing the tethers to his body and his life. This poem arose from that image.

You do not look like I remembered
though we have met before – you and I
oh walker of the edge place – you one we call death.

Your wings are black- not back of night
but black of dawn
Black of ebony raven plume
black of your beloveds pupil – shrinking and growing
with the closeness of your love.

You dark bird who hovers
unseen until the end and then appearing  
vast on the horizon – vast above the bed frame
unstitching the woven spine of life
with your great black beak.

Morrigan – lady of endings
mistress of raven
one day you shall feast on my flesh as well.

You circle low above us now
so close I can see your breast
so close I can see the underside of your beak
and the bottom of you scaly feet.

When will you land and sink your talons in
claiming this life as your own?
the breath keeps breathing -but softer now
fly low- fly low
we will not chase you away.



Grandmother

Last year, a poem I published in the We’moon datebook brought a handful of  new readers to my sight. I have been touched to receive a few, delightful, emails from readers who were moved by the poem and requesting to read the piece in its entirety, as an excerpt was used by We’moon. I am tender and humble in my heart as I think of others, unknown to me, reading my words and feeling moved to write me, what a gift this is. I have been too long in coming to this post, to share the poem. However, time moves as it does and I have been swept hard into the currents of change, time moving more quickly and more strangly than one could imagine. And now here I sit, nearly a year later than I planned, fingers typing away at these keys once again. 

So I shall share, here on this page the full version of the poem, but first it seems only right and necessary to share a wee bit of the story that it birthed from, the story of my grandmother, and of me and a little bit of magic that remains in the world and is concentrated in the forest…

I never met my maternal grandmother, Marjorie Helen Miles, to be Marjorie Helen McClelland, once she wed my grandfather, Roswell Dunlop McClelland. I have wondered if Marjorie McClelland ever really felt like her name to her, or if, in some secret chamber of her heart, my grandmother had always  remained- Marjorie Miles, as I had , even after 11 years of marriage always remained, Marianna Iverson. Now divorced and having legally reclaimed my name, I can say without doubt, that we shall never be seperated again. 

Having never met Grandma Marjorie, all I know of her life is constructed through the stories of others. Yet she stands strong in my mind, heart, and memories. The stories I carry are like treasures to me, little jewels of knowing. Her service for the American Friends(Quakers) in WWII, her skilled hands, eager mind, adventurous spirit, and also, her sorrow, loss and regret.

This woman that is my Mothers Mother, who gave me the greatest gift, my own Mother and my own life… all the stories she carried in her, so many we will never know. I seek to see her and know her through the way she lives on in my Mother, and my Auntie, I  feel a pull and a connection that is palpable, I have even in spaces of great expansiveness felt her behind me and heard her whisper in my ear…there is much in this life that we cannot explain. I myself have given up trying, better to live in the mystery.

I, being a bit of a seeker and one to delight in the occasional silent meeting with my God, am intrigued by my Quaker line, and long to know more about these relations. It has been fascinating to learn of my Quaker relatives connection to Oregon history, as pioneers in the late 1800’s to an area near where I now live, Scotts Mills, an incredibly beautiful place in the world, lush Willamette greenery, springs and streams, gentle pasture, this is where my people settled .

I wonder what that little place was like back then, and who was pushed out to make space for those white settlers. After all, we are living now on occupied territory…I can’t allow the amnesiac quality, the seductive dream of the bravery and strength of my kin “settling” the west to lay claim to me. There is so much more to this story, and there was consequence in my people arriving here, I may be some of that consequence.

I wonder at the forces at work that cause it to be that, this poem I will share here was written on land less than 80 miles from Scotts Mills, this poem written about the death of my grandmother whom I never knew, written on the sweet land of this Willamette Valley, land her father, my great grandfather, Walter Miles, lived and grew on, in his childhood all those long years ago…

There is so much to wonder, and so little to know. Knowing being so concrete, I have less and less of a desire to cling to its stability and form as I age. In the timeless words of dear Anne Shirley Cuthbert, it leaves too little “scope for the imagination.” I am willing to suspend knowing in favor of wonder, and surety in favor of possibilty. In this case it is highly possible that the words I type here on this page are able to travel to the ears of my Grandmother. In case this is so, I will take this small moment to say, “Grandma- you color all my days with your wake, and I am so grateful to be of you and your kin. All the days I live I will carry you with me, in the secret chambers of my heart. May this poem be pleasing to you, I am forever in your debt and glad to stay that way. The braid of beholdedness weaving us always together. I love you.”

Grandmother

My Grandmother said-
“Nature is my temple.”
And so I worship there as well.
Cathedrals of green canopy above me,
prayer rugs of Violet and Clover at me feet,
the blessings of life giving Holy Water.
These are my sword and shield,
my crown and chalice,
my strength.

When Grandma was dying,
we moved her bed out of doors.
To the garden,
under the edge of the green cathedrals boughs.
The place where she could see,
the face of God above her.
She lay still for a long time,
just looking up- and then,
almost silently whispered,
“Thank you.”

Green fills my spirit as I think of her,
My hands become hers, brown with soil,
rich with life and food.
I draw her from the Earth,
Root, Stone, and Bone.
All she left unfinished, now lies in my lap.
I release the mantle of her sorrow,
and we both are freed.
I have only one wish left-
May my last words be,
“thank you”

Grandma Marjorie – On an ancestor candle on my altar. She shines with me every day.

What is Disaster?

I wrote this short, unedited piece in my kitchen last week. In a flurry of madness to close the oven, wipe my hands, find a pen and give the words life before they abandon this host and move on to one more ready to receive them. The “bite” of a poem is a fast and fleeting as a fish on the line, if you are not ready, and your hands not fast, you may miss out all together. I have learned to drop everything and write, a charming first line beckoning in my mind seems to stale and sour if kept trapped for later in the notes section of my iPhone.

This poem is a response the fires burning in the amazon, and in my own life. I too, just as the Earth herself am in a massive die off, much of what I have held solid now melting away before my very eyes. I think of Joanna Macy’s language frequently, it seems business as usual has broken in my own life, and this is a great mercy. Could it be the great turning has come? Both within and without?

Disaster

They say on the news that the Earth is burning
the Amazon is on fire – Earths lungs scorched and charred
in a wicked rain of dust and ash.

I still have to get up and go to work tomorrow
and most likely- you do too
If the Earth is burning up – shouldn’t we stop and pay attention?

My heart longs for reckoning – meaning – action
but my body is so exhausted that I cannot even turn my face away
from that dreadful smoke filled screen.

What is it like to be a woman at the end of the world?
let me get some rest and I will tell you
just now- I am too bone-weary to even begin to think…

The world is burning up – but here it rains in August
my garden could actually use a little more sun
the weather is strange – but is it really a catastrophe?

Or is my own decimated heart
that old woman at work who never knows where she is
my daughter who may never know breath without fear again

These- are these catastrophes?

I don’t know
somehow from where I sit it seems
that both everything – and nothing means disaster

what becomes of meaning when there is no future?
It grows– oh god- it Grows

A woman at the end of the world
learns to love fiercely (she must)
or she has no chance at all.

Marianna  – August 2019 

 

Morning Practice

I am going to start sharing more of my daily writing practice here. I am engaged in the practice of daily poetry writing, each morning before the world can rob me of my time to create and connect. These poems are not very worked, free form and unfiltered.
I have found it so interesting to be doing this morning writing through poetry, my morning writing used to be in the form of journaling. This poetry practice in some ways is more honest, more sincere, simpler and radically raw, than my journaling was. This form of writing allows me to express feeling more directly. I am enjoying the discipline of this daily practice and happy to share some of the writing that comes to being through this commitment to a daily honoring of the muse.

 

How long will it take to heal
The shattered pieces of my broken heart?
I sweep the rubble clean away – then low and behold
once again – disaster.
The roof is caving in and hurricane warnings tell me that
a storm’s coming, always is, on nights like this.
I plant seeds on the good days
days when warmth blooms in my chest
and I can see vision of summer evening – soft tides – soft smiles
I bury the seeds deep , to keep them safe until the grow
after the flood waters have receded
after the strong words have died down.
I place my hand on my chest
a shelter of a sort
to hold close this heart of mine
the temple of my love.
You are not forsaken – I tell her
Life leaves rubble in us all
we sweep and sweep again
we plant seeds and wait
it’s like the garden love-
give time – take time
one day a mighty Oak will grow
just don’t stop planting acorns.
These words are scattered seeds
this page a love letter to my own sweet heart
Take root now- grow.

photo- coast range, near burnt woods Oregon, baby big leaf maple.

IMG_0358

Solstice Prayer

The sky is dark- clear and cold,
dawn did not come until 8 oclock this morn.
Frozen ground firm beneath my feet
the first sun of this shortest day
reflects off diamond dusted boughs of cedar
leafy holly, hardy grasses
All ablaze with light.

In days gone by when winter crept into our homes
and cold claimed penance of the skins of those like you and I.
When darkness came at dusk and lasted all night long – all long night,
with only glow of candles flame to keep the dark away and cold away
in those days, this day, this shortest day- had meaning
had power.

The longest night- rabbit, underground
lies buried deep, warm bodies of her kin beside her.
Goose has flown south by now, warmer climes await
Squirrel, now nested, acorns stored in plenty,
even worm is tucked away, slumbering.
Until soil warms and springs good work begins again.

Human builds a fire- to drive the dark away
to welcome visions of spring
call warm days back
recall the smell of sweet grasses
the taste of May’s first strawberry
remembering the living world will bloom again….

the dance now calls our feet to dance, our bones to move, our voices chant
to pound our feet upon the earth- voices raised in sacred laughter
faces ruddy in the firelight
Call back the sun! Sing back the sun!
Pound hard on frozen earth with joy!
We have survived this longest night, to see
a new years morn arise again.

The sky brightens with the dawn
we greet the day, alive and well and grateful
For all that has come before
and all that will come after
the magic of surviving
of belonging – here- on this land and in this time
New years sun above us once again
and kinships bonds to keep us warm.

 

 

Solstice Blessings to Your Home and Hearth.
Marianna